• Thirds  (2007)

    Thirds (2007)

    32 x 40 inches / 81 x 101.5 cm

  • Liminalia  (2007)

    Liminalia (2007)

    32 x 40 inches / 81 x 101.5 cm

  • Doubt  (2008)

    Doubt (2008)

    32 x 40 inches / 81 x 101.5 cm

  • Incline  (2008)

    Incline (2008)

    32 x 40 inches / 81 x 101.5 cm

  • Necessary Letter  (2008)

    Necessary Letter (2008)

    32 x 40 inches / 81 x 101.5 cm

  • Thought   (2007)

    Thought (2007)

    32 x 40 inches / 81 x 101.5 cm

  • Garden of Forking Paths  (1994)

    Garden of Forking Paths (1994)

    12.25 x 17.25 inches / 31 x 44 cm

  • Lost in Translation  (1994)

    Lost in Translation (1994)

    13.5 x 15.25 inches / 34 x 38.5 cm

  • Hungry  (1995)

    Hungry (1995)

    14 x 17.25 inches / 35.5 x 44 cm

  • Blind   (1997)

    Blind (1997)

    14 x 18 inches / 35.5 x 46 cm

  • Our Little Experiment   (1997)

    Our Little Experiment (1997)

    14 x 17.75 inches / 35.5 x 45 cm

  • The Hot Oven   (1997)

    The Hot Oven (1997)

    14 x 17.75 inches / 35.5 x 45 cm

  • Ghoti   (1997)

    Ghoti (1997)

    14.5 x 18.5 inches / 37 x 46.5 cm

  • Five Tens (Hiroshima)   (1996)

    Five Tens (Hiroshima) (1996)

    14.75 x 18.5 inches / 37.5 x 47 cm

  • Baby  (1989)

    Baby (1989)

    c. 4 x 5 inches / 10 x 13 cm

  • 4H  (1989)

    4H (1989)

    c. 4 x 5 inches / 10 x 13 cm

  • Picnic  (1989)

    Picnic (1989)

    c. 4 x 5 inches / 10 x 13 cm

  • Portrait of a Lady (1989)

    Portrait of a Lady (1989)

    c. 5 x 7 inches / 13 x 18 cm

  • Thirds  (2007)
  • Liminalia  (2007)
  • Doubt  (2008)
  • Incline  (2008)
  • Necessary Letter  (2008)
  • Thought   (2007)
  • Garden of Forking Paths  (1994)
  • Lost in Translation  (1994)
  • Hungry  (1995)
  • Blind   (1997)
  • Our Little Experiment   (1997)
  • The Hot Oven   (1997)
  • Ghoti   (1997)
  • Five Tens (Hiroshima)   (1996)
  • Baby  (1989)
  • 4H  (1989)
  • Picnic  (1989)
  • Portrait of a Lady (1989)

I've included a sampling of various bodies of work I've made over the years on the site, to give some context. Some stages lasted a relatively short time (I only made the "Shadows" work for about two years), while others were rich veins that I worked for some time (I made platinum/palladium prints for about fifteen years, all told). I've often worked concurrently on two tracks: scenes I encountered in the world, and scenes I created in the studio. I spent many years in love with view cameras and an old large-scale repro camera, which was being sent to the landfill when digital publishing made it a thing of the past. A few years ago, I did away with my darkroom and transitioned to a small hand-held digital camera and large-scale digital prints. But I see what I'm doing as the lineal descendant of what I've always done, which is to use the camera as a tool for learning and discovery. I hope there's something here that resonates for you too.

A number of these images, as well as the platinum/palladium prints, were reproduced in my 2000 book Fact Fiction Fabrication, now out of print. Some are still available as either limited-edition silver or digital prints: please contact me for prices. Platinum/palladium prints are no longer available.